Joyful Noise

By |2012-01-13T20:17:16-06:00Jan 13, 2012|General|

NEW YORK –– Divas duel and a red-state Romeo and Juliet fall for each other in "Joyful Noise" (Warner Bros.).

Though it gives a pass JoyfulNoiseDolly Parton and Kris Kristofferson star in a scene from the movie "Joyful Noise." The Catholic News Service classification is A-III – adults. The Motion Picture Association of America rating is PG-13 – parents strongly cautioned. Some material may be inappropriate for children under 13. (CNS photo/Warner Bros.)to an incidental out-of-wedlock fling, and showcases some humor and vocabulary that make it unsuitable for youngsters, writer-director Todd Graff's otherwise uplifting celebration of traditional values emphasizes trust in God and illustrates the positive effects of compassionate and forgiving behavior.

Set in the small, recession-ravaged fictional burgh of Pacashau, Ga., this vibrant, faith-driven blend of comedy, drama and music focuses on the sometimes raucous, but ultimately friendly rivalry between Vi Rose Hill (Queen Latifah) and G.G. Sparrow (Dolly Parton), two leading members of a local church choir.

Just as their ensemble is preparing to compete in the higher rounds of the singing competition from which the film takes its title, G.G.'s husband, Bernie (Kris Kristofferson), the chorus' long-standing director, suddenly dies. In his place, the pastor (Courtney B. Vance) appoints, not G.G. herself, but her nemesis, Vi Rose.

While the two jostle over whether to alter the group's repertoire and performing style – despite her enduring love for her late spouse, it's G.G. who urges innovation – G.G.'s free-spirited, mildly prodigal grandson Randy (Jeremy Jordan) returns to town. There he's promptly wowed by another of the chorale's stars, Vi Rose's strictly reared daughter, Olivia (Keke Palmer).

The Devil Inside

By |2012-01-10T22:46:22-06:00Jan 10, 2012|General|

Two1-10-12Evan Helmuth stars in a scene from the movie "The Devil Inside." The Catholic News Service classification is O – morally offensive. The Motion Picture Association of America rating is R – restricted. Under 17 requires accompanying parent or adult guardian.(CNS photo/Paramount)NEW YORK –– "The Devil Inside" (Paramount), so we're told, is a film the Vatican doesn't want you to see. If so, perhaps there's a "Da Vinci Code"-like conspiracy afoot intended to save you 12 of your hard-earned, economic-downturn dollars.

Those foolhardy enough to insist on wading through this cheap, inept piece of storytelling will experience an eye-poppingly bad, grotesque little horror outing. And that's not to mention the consistent spewing forth of lazy, sullen antagonism toward the Catholic Church.

The uninformed bias on display, in fact, can be compared not only to the turgid fantasies of Dan Brown but to the loopy visions of anti-Catholic cartoonist and tract churner Jack Chick. Thus one character declares, "In the eyes of the church, what we're doing is wrong; that's how we know it's so right!"

Keen to learn what provoked her mother Maria (Suzan Crowley) to murder two priests and a nun during an exorcism 20 years earlier, plucky documentary maker Isabella Rossi (Fernanda Andrade) jets off to Rome in search of answers, accompanied by her faithful cameraman Mike (Ionut Grama)

While this could be the premise for a faith-friendly (and genuinely terrifying) offering, instead director William Brent Bell, who co-wrote the screenplay with Matthew Peterman, opts to place a mix of poor theology, bizarre conspiracy theories and downright nastiness into the mouths of two rogue priests who ally with the duo of filmmakers in their quest for "truth."

The Darkest Hour

By |2012-01-09T16:57:41-06:00Jan 9, 2012|General|

DarkestHourOlivia Thirlby and Emile Hirsch star in a scene from the movie "The Darkest Hour." The Catholic News Service classification is A-III – adults. The Motion Picture Association of America rating is PG-13 – parents strongly cautioned. Some material may be inappropriate for children under 13. (CNS photo/Summit Entertainment)NEW YORK –– In an earlier era, "The Darkest Hour" (Summit) – a weak entry about five ... whoops, four ... wait, make that three plucky youngsters running away from invading aliens – would have been marketed as cheap thrills for drive-in moviegoers.

That era having passed, the flick is instead being retailed as a collection of expensive 3-D thrills, a ploy that only serves to highlight its stale plot. As sketched for us – none too adroitly – by director Chris Gorak and screenwriter Jon Spaihts, said story line depends on characters making bad decisions about going through the deserted streets of Moscow to see whether someone will get blown up by those aggressive intruders.

Moral behavior, for good or ill, doesn't enter into it.

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